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Steamboat Willie Wikipedia. Steamboat Willie is a 1. American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black and white by Walt Disney Studios and was released by Celebrity Productions. The cartoon is considered the debut of Mickey Mouse2 and his girlfriend Minnie, although both the characters appeared several months earlier in a test screening of Plane Crazy. Steamboat Willie was the third of Mickeys films to be produced, but was the first to be distributed because Walt Disney, having seen The Jazz Singer, had committed himself to producing the first fully synchronized sound cartoon. Steamboat Willie is especially notable for being the first Disney cartoon with synchronized sound, including character sounds and a musical score. First Love, also known as Crazy Little Thing Called Love, Thai ., Sing lek lek thi. Youve got problems, Ive got advice. This advice isnt sugarcoatedin fact, its sugarfree, and may even be a little bitter. Welcome to Tough Love. Disney understood from early on that synchronized sound was the future of film. It was the first cartoon to feature a fully post produced soundtrack which distinguished it from earlier sound cartoons such as Inkwell Studios Song Car Tunes 1. Van Beuren Studios Dinner Time 1. Steamboat Willie became the most popular cartoon of its day. Music for Steamboat Willie was arranged by Wilfred Jackson and Bert Lewis, and included the songs Steamboat Bill, a composition popularized by baritone Arthur Collins during the 1. Turkey in the Straw, a composition popularized within minstrelsy during the 1. The title of the film is a parody of the Buster Keaton film Steamboat Bill, Jr. Collins. Walt Disney performed all of the voices in the film, although there is little intelligible dialogue. While the film has received some criticism, it has also received wide critical acclaim, not only for introducing one of the worlds most popular cartoon characters, but for its technical innovation. In 1. 99. 4 members of the animation field voted Steamboat Willie 1. The 5. 0 Greatest Cartoons, which listed the greatest cartoons of all time. In 1. 99. 8 the film was selected for preservation in the United States National Film Registry for being deemed culturally, historically, or aesthetically significant. SynopsiseditMickey Mouse pilots a river steamboat, suggesting that he himself is the captain. He cheerfully whistles Steamboat Bill and sounds the boats three whistles. Soon the real captain, Pete, appears and orders Mickey off the bridge. Mickey blows a raspberry at Pete, and then Pete attempts to kick him but Mickey rushes away in time and Pete kicks himself in the rear accidentally. Mickey rushes down the stairs, slips on a bar of soap on the boats deck and lands in a bucket of water. A parrot laughs at him, and Mickey throws the bucket at it. Pete, who has been watching the whole thing, pilots the steamboat himself. He bites off some chewing tobacco and spits into the wind. The spit flies backward and rings the boats bell. Amused by this Pete spits again, but it hits himself in the face, making him fuss. The steamboat makes a stop at Podunk Landing to pick up a cargo of various livestock. Just as they set off again, Minnie appears, running to catch the boat before it leaves. Mickey does not see her in time, but she runs after the boat along the shore and Mickey takes her on board by hooking the cargo crane to her underwear. Landing on deck, Minnie accidentally drops a guitar and some sheet music for the song Turkey in the Straw which are eaten by a goat. The two mice use the goats body as a phonograph which they play by turning its tail like a crank. Mickey uses various objects on the boat as percussion accompaniment and plays the animals like musical instruments. This ends with them using a cows teeth to play the song as a xylophone. Finally Captain Pete is unamused and puts Mickey to work peeling potatoes. In the potato bin, another parrot appears in the port hole and laughs at him again. The mouse throws a peeled potato at him, knocking him into the river below. The film ends with Mickey laughing. BackgroundeditAccording to Roy O. Disney, Walt Disney was inspired to create a sound cartoon after watching The Jazz Singer 1. Disney had intended for Mickey Mouse to be the new star character to replace Oswald the Lucky Rabbit after he lost the rights to the character to Charles Mintz. However, the first two Mickey Mouse films produced, silent versions of Plane Crazy and The Gallopin Gaucho, had failed to impress audiences and gain a distributor. Disney believed that adding sound to a cartoon would greatly increase its appeal. Creation Rebel Starship Africa Rar. One theatre owner said to Walt, Your stupid brain and your stupid mouse character can get out of my theatre. Steamboat Willie was not the first cartoon with synchronized sound. Starting in May 1. September 1. 92. 6, Dave and Max Fleischers. Inkwell Studios produced 1. Song Car Tunes series, using the Phonofilm sound on film process. However, the Song Car Tunes failed to keep the sound fully synchronized, while Steamboat Willie was produced using a click track to keep his musicians on the beat. As little as one month before Steamboat Willie was released, Paul Terry released Dinner Time which also used a soundtrack, but Dinner Time was not a financial success. In June 1. 92. 7, producer Pat Powers made an unsuccessful takeover bid for Lee De. Forests Phonofilm Corporation. In the aftermath, Powers hired a former De. Forest technician, William Garrity, to produce a cloned version of the Phonofilm system, which Powers dubbed Powers Cinephone. By then, De. Forest was in too weak a financial position to mount a legal challenge against Powers for patent infringement. Powers convinced Disney to use Cinephone for Steamboat Willie their business relationship lasted until 1. Powers and Disney had a falling out over money and Powers hired away Disneys lead animator, Ub Iwerks. ProductioneditThe production of Steamboat Willie took place between July and September 1. There was initially some doubt among the animators that a sound cartoon would appear believable enough, so before a soundtrack was produced, Disney arranged for a screening of the film to a test audience with live sound to accompany it. This screening took place on July 2. Steamboat Willie only partly finished. The audience sat in a room adjoining Walts office. Roy placed the movie projector outdoors and the film was projected through a window so that the sound of the projector would not interfere with the live sound. Ub Iwerks set up a bedsheet behind the movie screen behind which he placed a microphone connected to speakers where the audience would sit. The live sound was produced from behind the bedsheet. Wilfred Jackson played the music on a mouth organ, Ub Iwerks banged on pots and pans for the percussion segment, and Johnny Cannon provided sound effects with various devices, including slide whistles and spittoons for bells. Walt himself provided what little dialogue there was to the film, mostly grunts, laughs, and squawks. After several practices, they were ready for the audience, which consisted of Disney employees and their wives. The response of the audience was extremely positive, and it gave Walt the confidence to move forward and complete the film. He said later in recalling this first viewing, The effect on our little audience was nothing less than electric. They responded almost instinctively to this union of sound and motion. I thought they were kidding me. So they put me in the audience and ran the action again. It was terrible, but it was wonderfulIn a Rare Moment of Self Doubt, Steve Jobs Wanted a Back Button on the i. Phone. Steve Jobs was legendary for knowing what he wanted and leaning on his designers until he got it. But according to a new book on the history of the i. Phone, he insisted that it should have a back button. After one of his people presented a good argument for the distinctive single home button, he backed down. The One Device The Secret History of the i. Phone by Brian Merchant has been getting a lot of attention and it sounds like a pretty decent attempt at covering the insider story at a company thats notoriously difficult to get inside of. Among Merchants findings is this little gem The touch based phone, which was originally supposed to be nothing but screen, was going to need at least one button. We all know it well today the Home button. But Steve Jobs wanted it to have two he felt theyd need a back button for navigation. Chaudhri argued that it was all about generating trust and predictability. One button that does the same thing every time you press it it shows you your stuff. Again, that came down to a trust issue, Chaudhri says, that people could trust the device to do what they wanted it to do. Part of the problem with other phones was the features were buried in menus, they were too complex. A back button could complicate matters too, he told Jobs. I won that argument, Chaudhri says. And thus, history was made. The single home button was decided, plus Steve Jobs doubted his own instincts and listened to someone else. Whats interesting is that the i. Phone sort of set the template for all the subsequent smartphones to come. But Android competitors did throw on a back button. Adding extra stuff is basically the Android way. The simplicity of the i. Phone kept it distinctive. At least in that one moment, Chaudhri understood the Apple way better than Steve. Its a perfect time for that little story to come to light because it looks like were about to see the home buttons demise. Smartphone accessory maker Mobile. Fun has a reputation for accurately leaking i. Phone details months in advance. This weekend, the company posted a listing for an i. Phone 8 tempered glass screen protector It certainly looks like this is the best evidence yet that the home button is officially dead.